Description
Klaus Hurlebusch examines how Klopstock, Hamann, and Herder shifted writing in the eighteenth century from a work-centered to an author-centered orientation. Language became an active element in the creative process, and the fragmentary became a characteristic mode of expression. The study draws implications for editorial philology. (With AI generated book description)
listed in Literary Criticism | 6 similar books linked from this page.
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